After completing studies in Art History at the Faculty of Philosophy in Belgrade and passing the curatorial exam (National Museum in Belgrade), they founded the art association PODR.UM (2013), which actively participates in organizing numerous exhibitions, art residency programs, presentations, and other forms of connecting artists and audiences. They collaborate on international projects that promote contemporary artists and provide opportunities for the production and exhibition of works. For more than ten years, they have been performing curatorial duties, managing collections and legacies at the Ku\u0107a Legata (Legacy House). They are well-versed in market conditions, exhibition opportunities, and the potentials of the current art scene.<\/p>\n\n\n\n
2000-2007<\/strong>: Contributor to Prestup<\/em> magazine<\/p>\n\n\n\n 2009-2019<\/strong>: Expert Associate \u2013 Curator, Ku\u0107a Legata, Belgrade<\/p>\n\n\n\n For ten years, curator of the legacies of Petar Lubarda, Veljko and Mara Petrovi\u0107<\/p>\n\n\n\n Author of the exhibition and catalog Veljko Petrovi\u0107: Memories and Oblivion<\/em> (2017)<\/p>\n\n\n\n Collaborator on the exhibition Cycle of Paintings Kragujevac, 1941 \u2013 Petar Lubarda<\/em> (2016)<\/p>\n\n\n\n Author of the exhibition Between the Lines: The Veljko Petrovi\u0107 Legacy, Letters from Ivo Andri\u0107 to Veljko Petrovi\u0107<\/em> (2012)<\/p>\n\n\n\n Curator and exhibition designer for Portraits from the Legacy<\/em> (2012)<\/p>\n\n\n\n Collaborator on the exhibition The Best of Stijovi\u0107<\/em>, RTS Gallery (2011)<\/p>\n\n\n\n Curator of the exhibition The Legacy of Ljubica Cuca Soki\u0107<\/em>, realized in collaboration with the Pavle Beljanski Memorial Collection (2010)<\/p>\n\n\n\n Curator, exhibition designer, and catalog author for the opening of the Petar Lubarda Legacy<\/em> (Ku\u0107a Legata received the ICOM Award for Museum of the Year)<\/p>\n\n\n\n 2013-2014<\/strong>: Managed the Ze\u010devi\u0107 Gallery<\/p>\n\n\n\n June 2013:<\/strong> In the Presence of the Author<\/em> \u2013 Tijana Petrovi\u0107<\/p>\n\n\n\n July 2013:<\/strong> Installation by Nina and Miodrag Stankovi\u0107<\/p>\n\n\n\n September 2013:<\/strong> STOP-AND-DROP<\/em>, Terri Jo Ross and Tamara Jeremi\u0107<\/p>\n\n\n\n October 2013:<\/strong> Mapping the Gallery Space<\/em>, TKV<\/p>\n\n\n\n October 2013:<\/strong> Soulbox<\/em>, Marijan Muskinja<\/p>\n\n\n\n November 2013:<\/strong> Partizan Above the Sea of Clouds, Graveyard Trash Romanticism<\/em><\/p>\n\n\n\n February 2014:<\/strong> The Indecent Notebook<\/em> \u2013 Mihael Milunovi\u0107<\/p>\n\n\n\n March 2014: <\/strong>Fragments of Memorabilia<\/em>, Vladimir Vinki\u0107<\/p>\n\n\n\n March 2014: <\/strong>Industrialization of Portraits<\/em>, Milan Panteli\u0107<\/p>\n\n\n\n April 2014:<\/strong> Exhibition by Bogdan Pavlovi\u0107<\/p>\n\n\n\n April 2014:<\/strong> Please Kill the Mainstream<\/em>, in collaboration with the Italian Embassy in Belgrade<\/p>\n\n\n\n May 2014:<\/strong> Found Objects<\/em>, TKV<\/p>\n\n\n\n May 2014:<\/strong> Perfidy<\/em>, Maja Obradovi\u0107<\/p>\n\n\n\n June 2014:<\/strong> Hard Backup<\/em>, Daniel Glid<\/p>\n\n\n\n September 2014:<\/strong> In Between Time<\/em>, Ksenija Jovi\u0161evi\u0107<\/p>\n\n\n\n September 2014: <\/strong>Theory of Unity<\/em>, Vojislav Radovanovi\u0107<\/p>\n\n\n\n October 2014:<\/strong> PUB SUB<\/em>, Tijana Koji\u0107 and Dragan \u0110or\u0111evi\u0107<\/p>\n\n\n\n October 2014:<\/strong> Deformiterra<\/em>, Vladimir Lali\u0107<\/p>\n\n\n\n November 2014:<\/strong> The Boy Who Exploded from Happiness<\/em>, Bojan Radoj\u010di\u0107<\/p>\n\n\n\n December 2014:<\/strong> Nyctophilia<\/em>, Nemanja Mate \u0110or\u0111evi\u0107<\/p>\n\n\n\n Looking Back<\/em>, 60th anniversary of the founding of the oldest Serbian mountaineering society Pobeda, under the sponsorship of Telekom Srbija and the City Assembly of Belgrade, Botanical Garden Jevremovac<\/em>, Belgrade<\/p>\n\n\n\n Research \u2013 Profession or Passion<\/em>, 40th anniversary of the founding of the Hristifor Crnilovi\u0107 Legacy<\/p>\n\n\n\n Like There Is No Tomorrow<\/em> \u2013 Opening of the Drina Gallery<\/p>\n\n\n\n Faces<\/em> \u2013 Jovanka Stanojevi\u0107, Drina Gallery<\/p>\n\n\n\n Staying Here with You<\/em>, in collaboration with the Swiss Embassy in Belgrade and supported by the Secretariat for Culture of the City of Belgrade<\/p>\n\n\n\n 2017<\/strong>: Equilibrium<\/em> \u2013 Luka Belgrade & Blanc<\/p>\n\n\n\n 2017<\/strong>: Private view \u2013 closed exhibition, Beton Hala<\/p>\n\n\n\n 2018<\/strong>: When I Close My Eyes, I See Blue<\/em>, Svetlana Ninkovi\u0107 \u2013 \u017ditomlin, Luka Belgrade<\/p>\n\n\n\n 2018<\/strong>: Dragan Zdravkovi\u0107, private view \u2013 Hyatt<\/p>\n\n\n\n 2018<\/strong>: Slavimir Futro \u2013 Imperfect<\/em>, Vi\u0161nji\u0107eva 10<\/p>\n\n\n\n 2018<\/strong>: Homo Interior<\/em>, Italian Cultural Institute<\/p>\n","protected":false},"featured_media":2144,"template":"","class_list":["post-1909","tim","type-tim","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/warped-development.com\/en\/wp-json\/wp\/v2\/tim\/1909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warped-development.com\/en\/wp-json\/wp\/v2\/tim"}],"about":[{"href":"https:\/\/warped-development.com\/en\/wp-json\/wp\/v2\/types\/tim"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warped-development.com\/en\/wp-json\/wp\/v2\/media\/2144"}],"wp:attachment":[{"href":"https:\/\/warped-development.com\/en\/wp-json\/wp\/v2\/media?parent=1909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Curated exhibitions and publications at Ku\u0107a Legata:<\/h3>\n\n\n\n
Exhibitions organized:<\/h3>\n\n\n\n
Exhibitions and Projects:<\/strong><\/h3>\n\n\n\n